Projects
Hardly anywhere else is the topical and methodological wealth of research at the Film University more evident than in the creative proliferation of postgraduate qualification projects. At the same time, these projects, their development, and their success are the touchstone for the quality of our support for young talent. The projects are in a constant state of flux until they are completed, which is why the following overview offers only a snapshot. Completed and published dissertations can also be found under Publications and in the library catalog.
- Georg Agardi: The Hegemonic Position of the Antihero: Between Reception and Interaction. Character Attachment in TV Series and Video Games. Including an artistic research component in the form of a narrative, text-based computer game.
- Evgeny Kalachikhin: AI-driven Methodologies for Engaging with Archival Narratives
- Viktoria Hilsberg: The Signaling Effect and the Symbolic Valuation of Digital Art in Contemporary Markets. A Study of Media Structures, Trust Formation, and Value Attribution
- Kennis Lai Mohrbach: Negotiating Boundaries: Bourdieu and the Hong Kong Cinematic Field (2022–2026) [working title]
- Sebastian Greßmann: Artificial intelligence in trailer production: Transformations of processes, roles, and aesthetics. How artificial intelligence is changing the production process of trailers and what this means for future trailer producers.
- Katharina Kücke: Being-Live. A Media-Philosophical and Power-Critical Approach
- Paul Bullinger: Beyond the limits of humor? Ethical and aesthetic aspects of comedy about disability—a theoretical and practical examination.
- Johanna Rubinroth: Disenchantment oft the Chaos-Princess
- Jakob Mäsel: Sound dramaturgical writing as a transdisciplinary tool for screenplay development
![[Translate to englisch:]](/fileadmin/_processed_/4/f/csm_Foto_Maesel_fa580336fd.png "[Translate to englisch:]")
- Nicole Loeser: Blue Circular Scenes – Social Art for Transformation
