Dr. Pablo Salas Tonello

Pablo Salas Tonello studied Literature at the National University of Tucuman, Argentina. He holds a Master's degree in Cultural Sociology and a Doctorate in Sociology from the National University of San Martin, where he engaged in a long-term research on the social and professional dynamics of performing arts in Argentina. In 2022, he undertook a doctoral research stay at the Centre for Latin American Studies at the University of Kassel. Pablo is currently a Walter Benjamin Fellow at the Filmuniversität Babelsberg KONRAD WOLF with a project entitled 'Film Festivals in Argentina: An Approach to Centre-Periphery Dynamics in South American Film Cultures.' Pablo has published articles on artistic professions, working conditions in creative fields and institutional evaluation in theatre festivals. His current research interests focus on film festivals and their role in fostering professional careers and regional leadership in peripheral cities.

Furthermore, Pablo participates as a member of the editorial board of the peer-reviewed journal Papeles de Trabajo and in the Academic Committee of the Masters in Cultural Sociology at the National University of San Martin.

Publications:

Salas Tonello, P. (2023) “Domésticos e inspirados. Oportunidades, restricciones y agencia en el trabajo de los artistas de teatro en una ciudad mediana.” Trabajo y Sociedad 42. Pp. 179-198 https://www.unse.edu.ar/trabajoysociedad/42%20Salas%20Tonello%20Pablo%20El%20trabajo%20de%20los%20artistas%20de%20.pdf 

Mauro, K. Salas Tonello, P. De la Puente, M. (2023) “Trabajo artístico a cuarenta años del regreso de la democracia: deudas, desafíos y oportunidades”. Prácticas de oficio. Vol. 1. Pp. 41 – 54. https://revistas.ungs.edu.ar/index.php/po/article/view/825

Salas Tonello, P. (2023). “El trabajo de los artistas de teatro en Tucumán durante las décadas de los años 1960 y 1970: el circuito independiente, el teatro oficial y el radioteatro”. ESCENA. Revista de las Artes 82 (2), 273-297. https://doi.org/10.15517/es.v82i2.53485

Salas Tonello, P. (2022). “Los jurados del Instituto Nacional del Teatro. Un estudio sobre evaluación artística en Argentina”. Universum. Revista de Humanidades y Ciencias Sociales, 37(2): 579 – 598. Chile. http://dx.doi.org/10.4067/s0718-23762022000200579

Salas Tonello, P. (2022). “Futuro Imperfecto: crisis, desafíos y oportunidades del teatro de Tucumán frente a la pandemia del Covid-19”. Avances (31): 213-232. Córdoba. https://revistas.unc.edu.ar/index.php/avances/article/view/37688

Salas Tonello, P. (2021). “El teatro de San Miguel de Tucumán: salas, circuitos de producción e instancias de formación”. Latin American Theatre Review 55 (1): 133-154. Kansas. https://journals.ku.edu/latr/article/view/16518

Salas Tonello, P., Simonetti, P. and Papez, B. (2021). “En casa: Consumos, prácticas culturales y emociones en la vida cotidiana durante la pandemia por covid-19 en Argentina”. RBSE. Revista Brasileira de Sociologia da Emoção 20 (58): 53-65. https://ri.conicet.gov.ar/handle/11336/133870.

Salas Tonello, P. (2019). “The Generational and Aesthetic Orientation of a State Award Addressed to Independent Theatre”. Revista Brasileira de Estudos da Presença 9 (2): 1 – 27. https://www.scielo.br/j/rbep/a/hS3wZ85Zff7xssHdfkbcNnq/?format=pdf&lang=en. Spanish version: http://www.scielo.br/pdf/rbep/v9n2/2237-2660-rbep-9-02-e80067.pdf

Salas Tonello, P. (2016). “La construcción de legitimidad del jurado en un festival oficial de teatro”. Chakiñán 1: 57-68. https://dialnet.unirioja.es/servlet/articulo?codigo=6294866